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From the stark light of suns glinting off intricately constructed space arks,
to the sheer power and majesty of a space elevator rising from the jungles of Sri Lanka, the work of artist Paul Swendsen
embodies the sense of wonder and awe at the heart of science fiction. Paul s delightful and inspiring visions are rendered
with artistic skills rarely found in these times. His art combines a playful imagination with an evident knowledge of science.
As a special effects director and matte artist for Lucas films and many other cinema companies, he is one of a small group of
people in the world today with a true mastery of light and realism.
As a cover artist, he has illustrated over a dozen of my own books- which is a rare accomplishment.
It is standard to commission two, three, or perhaps four covers from one artist .
Then to avoid repetition a new artist is usually assigned. But Paul tackles each new concept with such
unique energy and freshness that my publishers have commissioned him to produce many of my covers over the years.
Paul has captured the essence of my writing, and is thus one of my most valued colleagues. Arthur C. Clarke, CBE Colombo, Sri Lanka 31 May 1995 |
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From: The Collected Stories of Robert Silverberg Volume Two: The Secret Sharer To the Promised Land The story first appeared in Omni . When this story later appeared in the Benford-Greenberg anthology, it was illustrated on the books cover by a moody, brooding painting of twentieth-century Memphis that I had created. The artists vision was of something a little like the world of the film Blade Runner, plus sphinxes, Egyptian temples, and a giant pyramid-shaped hotel next to a downtown freeway. A man named Paul Swendsen painted it. I think its a marvel. |
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